The (potentially) greatest song I can't find right now is 'Place I Love' by Nina Persson and the Sounds of NATO, which I heard on the soundtrack of a truly awful (and I'm a fan) Todd Solondz film called A Dark Horse.
i love the memories you share of discovering music, and how that changed over time.
for me, it was -- whatever played at npr at night, my parents' book of cds, visits to barnes and noble with the communal headset on, sharing earbuds with other kids on the bus, then Tumblr viral songs (boss ass bitch, cash diamond rings swimming pools, LANA), then studiously listening to whatever Pitchfork said was good... trading burned CD mixtapes > downloading poor quality rips from Youtube > Spotify. oh, the nostalgia!
The dumbest algorithms are indeed the best. The Spotify algorithm that told me that ppl who liked Lana Del Rey also liked Ängie changed my life and brought me here.
The algorithms supposed to make Spotify frictionless though, those are making it frissonless.
Regarding the celestial jukebox: everything is so clouded; the dust has yet to settle. Or will it ever settle? I've experienced many exciting new sounds via your weekly playlists and elsewhere, things that give me hope, well hope in the vaguest sense. Then, I'll also encounter things like seeing a Nepali trap video at a Nepali restaurant and aside from the difference in language and the Himalayan backdrop, it sounded just like dull American trap. But if lack of originality is my only gripe, it's not a bad one to have.
I’ve appreciated hitting upon a pretty universal “1% rule” for interesting new music — the other 99% usually isn’t that bad but it also isn’t very interesting.
Still listening to New Problems compulsively - I'm reminded of another lost classic. Friend of mine recorded this, artist fell off the radar before it got noticed.
this is great. one thing I'm being reminded of listening to 2001 indie is that there was real pressure for stronger and funkier drumming at the time, something I was noticing relistening to Dismemberment Plan and thinking about how I should write something about the percussion in Willow songs.
The greatest song that I can't find streaming anywhere is "El Pito" by The Swinging World Of Johnny Rios And The Us 4.
https://www.discogs.com/release/4848901-Johnny-Rios-And-The-Us-4-Nuevo-Boog-A-Loos-The-Swinging-World-Of-Johnny-Rios-And-The-Us-4-Nuevo-Boog
The (potentially) greatest song I can't find right now is 'Place I Love' by Nina Persson and the Sounds of NATO, which I heard on the soundtrack of a truly awful (and I'm a fan) Todd Solondz film called A Dark Horse.
And of course all we've got of Haley Georgia's "Becky" is this snippet:
https://x.com/haleygeorgia/status/893882503915872256
Some of us have more than a snippet, but it's also weird to be the person to put the thing back on the internet after someone has taken it down.
Yeah. I agree. Seems to have been her decision.
But oddly, this isn't something I have a consistent position on, whether to spread or not spread a recording without the artist's go-ahead.
Seeker is the Court of Last Appeal
Even that snippet deserves the remix treatment, I'll check SoundCloud to see if anyone's done it
i love the memories you share of discovering music, and how that changed over time.
for me, it was -- whatever played at npr at night, my parents' book of cds, visits to barnes and noble with the communal headset on, sharing earbuds with other kids on the bus, then Tumblr viral songs (boss ass bitch, cash diamond rings swimming pools, LANA), then studiously listening to whatever Pitchfork said was good... trading burned CD mixtapes > downloading poor quality rips from Youtube > Spotify. oh, the nostalgia!
The dumbest algorithms are indeed the best. The Spotify algorithm that told me that ppl who liked Lana Del Rey also liked Ängie changed my life and brought me here.
The algorithms supposed to make Spotify frictionless though, those are making it frissonless.
Regarding the celestial jukebox: everything is so clouded; the dust has yet to settle. Or will it ever settle? I've experienced many exciting new sounds via your weekly playlists and elsewhere, things that give me hope, well hope in the vaguest sense. Then, I'll also encounter things like seeing a Nepali trap video at a Nepali restaurant and aside from the difference in language and the Himalayan backdrop, it sounded just like dull American trap. But if lack of originality is my only gripe, it's not a bad one to have.
I’ve appreciated hitting upon a pretty universal “1% rule” for interesting new music — the other 99% usually isn’t that bad but it also isn’t very interesting.
Still listening to New Problems compulsively - I'm reminded of another lost classic. Friend of mine recorded this, artist fell off the radar before it got noticed.
https://solamonday.bandcamp.com/album/the-swing-festival
this is great. one thing I'm being reminded of listening to 2001 indie is that there was real pressure for stronger and funkier drumming at the time, something I was noticing relistening to Dismemberment Plan and thinking about how I should write something about the percussion in Willow songs.